I sculpt clay into an unexpected lexicon of textures, natural colours, and distilled design elements. My work is an ongoing exploration of how form can express meaning in its most essential state. Each piece aspires to move beyond its apparent function or narrative, seeking a quiet simplicity that resonates through shape and surface. My background in product design continues to shape my artistic journey. Functionality remains present, but not as an end in itself—rather as a foundation for a practice that merges utility with aesthetic exploration. I would describe my work as research-led, where the aesthetics of function meet sculptural sensibilities. This approach creates a continuous interplay between opposites: the tangible and the intangible, geometry and unpredictability, balance and movement, rationality and spontaneity. My ceramics are hand-built from slabs—cut, shaped, and intuitively scratched into place. They are inspired by a life lived across different countries, cultures, and landscapes, each leaving subtle traces in the colours, textures, and spatial rhythms of my forms. At the core of this work is an exploration of light, material, and space, with a focus on the raw simplicity of clay. By pushing the boundaries of traditional hand-building and surface techniques, I aim to eliminate the superfluous and concentrate on what is essential—creating pieces that exist in the space between sculpture and function, silence and expression, control and chance.